In 1979 he began working independently as a graphic artist and in
1982 he graduated with a mark of 100/100 from the graphics course at the
Istituto Europeo di Design in Milan. From 1984 to 1992, with his brother
Paolo, he was art director and graphic designer of the motor sports
magazine "Ruote in Pista" and from 1986 graphic designer of
the series "I Quaderni Equipe Enervit". Since the beginning of
his career he has worked with many different companies, publishers,
advertising agencies, PR companies and public bodies and, in particular,
with the Istituto Europeo di Design itself. In 1983 he became an
assistant lecturer and later lecturer in design and three years later
technician at the graphics department with Aldo Colonetti, the
scientific co-ordinator. He has collaborated with Olivetti, Nestlč, La
Fondiaria Assicurazioni, Seiko and others and has designed graphic
supports, exhibition materials for numerous exhibitions and museums. In
1985 he participated in an international competition for the new logo of
the Fiera di Milano and his design was chosen and exhibited at the
exhibition at Castello Sforzesco in Milan. In 1992 he collaborated at
the Istituto Europeo di Design in Milan in the "Projecto Diseno"
Castilla-La Mancha for graphic design and, the same year , became
technical co-ordinator of the Graphics and Computer Graphics Department
of the Istituto Europeo di Design. In 1993 he taught a research course
on pictogram signs at the IED in Turin and also became head of
two-dimensional design (Graphics, Computer graphics, Illustration,
Photography) at the IED in Milan.
In 1995 he was director of the graphics course of IED in Milan and,
from 1996 lectured in "Progettazione di Immagine coordinata e
segnaletica" as part of the same course. That same year he
participated, with a report on "Progetto di comunicazione visiva
nei musei" (visible communication design in museums), in the study
day on "Ricerca scientifica e sviluppo: beni culturali e nuove
professionalitā" (scientific research and development: cultural
heritage and new professionalism), organised in Cortona at the Scuola
Normale Sup. di Pisa, In 1997, with Lodovico Gualzetti and Roberto
Maremmani, he created the "La cittā delle fabbriche" project,
an exploration of the history of Sesto San Giovanni and two years later,
again with Lodovico Gualzetti, a design project for "I luoghi della
memoria", an exhibition identifying the significant places in the
history of Bolzano.
In 1990 he became a partner in AIAP (Associzione Italiana Creativi
Comunicazione Visiva), in 1991 he became a partner in BEDA (Bureau of
European Designers Associations) and a member of the ICI
(Interassociazione della Comunicazione d'Impresa). In 1999 he became
director of the Scuola di Comunicazione Visiva (Graphics, Computer
Graphics, Photography, Illustration) of the IED in Milan.
|
|