|
Marcello Carlino
|
Interview
Biography
Marcello Carlino was born in 1949. A researcher at the Department of Italian Studies
and Performance Arts at the University of Rome 'La Sapienza', he is interested in modern
and contemporary Italian literature and currently teaches the theory of literature.
His critical method has been particularly influenced by the theoretical positions of
Galvano della Volpe and Walter Benjamin, on whom he has written various studies published
in reviews and books.
From della Volpe he has derived the notion of "polysemy", as a determining
abstraction, instrument and function of the specificity and political characteristics of
the literary text: from Benjamin the notion of allegory, which he has attempted to reread
in relation to contemporaneity (thus in contrast with every postmodern trivialisation) and
to revive as the orientation of alternative writing (as in Letteratura italiana del primo
Novecento (1900-1915), written with F. Muzzioli).
Della Volpe and Benjamin are also the basis for the hypothesis of materialist writing
which he elaborated with the collective of the 'Quaderni di critica'(a fundamental part of
his work) and which is the pivot of the group's research material and criticism of
literature: from their book on the neo-avant-garde to that on Gadda, from their
publications on the literary theories of the Frankfurt School to those on Volponi and
Cacciatore. |
|
The Benjaminian politicisation of art is the key to his reading of the history of
Futurism, the neo-avant-garde, the third wave avant-garde, and the avant-garde; and the
avant-garde, together with experimentalism, is his area of greatest interest: Dada,
Surrealism, the utopian forms of the historical avant-garde, the avant-garde of
communication, as well as Gozzano, Palazzeschi, Campana, Rebora, Gadda, Savinio and
Landolfi are the objects of his essays and books. His latest book is Landolfi e il
fantastico, Lithos, Rome, 1998. |
|
|